Displaying items from UCL Special Collections, this exhibition examines the actions and reactions attending the women's suffrage movement from the 1860s up to the Representation of the People Act 1918. Satirical commentaries including Laurence Housman's Anti-Suffrage Alphabet are set alongside campaign literature and petitions for and against legislative change.
Charles Dickens: Man of Science aims to reveal Dickens not only as a scientific enthusiast, but as the key communicator of science in the Victorian age. Displaying his writings alongside artefacts, instruments, and texts of the developing sciences, we share the story of Dickens’s friendships and scientific passions
Commissioned by the Foundling Museum, Jodie Carey has created three new site-responsive installations in response to the Foundling Hospital story. Displayed within the exhibition gallery and amongst the historic Collection, these monumental pieces are imbued with a sense of remembrance and emotional trace.
On 1 June, in a parking space in East London, North London, Richard Woods create Upgrade – a month-long site-specific installation that engages with issues of housing and urban regeneration.
A major new commission by artist Fiona Crisp that uses photography, moving image and sound to approach the material environments where scientific experiments that challenge the limits of our imagination are carried out.
The Wiener Library’s exhibition tells the story of the Third Reich’s campaign against ‘degenerate’ art and this response in London in 1938. The exhibition features a number of the original artworks from the New Burlington Galleries’ exhibition, including works by Emil Nolde and Max Slevogt, presented with the stories of their lenders in 1938. The show will also include items from The Wiener Library’s unique archival collections.
From 3 –7 July, the Lethaby Gallery will host a programme of workshops, talks, and events dedicated to the actions of making, sharing, learning and listening. Equipped with creative, digital and non-digital tools, the gallery will be open to the public throughout the week, encouraging a productive learning environment through community.
ONE-DAY CONFERENCE HOSTED AT CENTRAL SAINT MARTINS
How did early 20th century cinema present and represent fashion, and how does this historical material relate to contemporary fashion film? This one-day conference investigates new methods, topics and themes at the interface of three fields: media archaeology, fashion history, and film studies. The conference looks at two parallel moments of fashion and film in the early 20th and 21st centuries, when the emergence and intensification of new technologies of the image began to impact the culture and commerce of fashion.