BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Knowledge Quarter - ECPv6.6.4.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Knowledge Quarter
X-ORIGINAL-URL:https://www.knowledgequarter.london
X-WR-CALDESC:Events for Knowledge Quarter
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20191027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190213
DTEND;VALUE=DATE:20190608
DTSTAMP:20260403T213303
CREATED:20190213T140502Z
LAST-MODIFIED:20190213T150428Z
UID:15700-1550016000-1559951999@www.knowledgequarter.london
SUMMARY:Edward Allington: In pursuit of sculpture
DESCRIPTION:‘Sculpture is now a complex\, diverse and exciting activity\, moving and matching the complexity of the world’ — Edward Allington 1997 \n\nSculptures\, photographs\, drawings\, antique ledgers\, motorbike parts and toy dinosaurs are part of a new exhibition at UCL Art Museum\, celebrating the legacy of British artist Edward Allington. \nThis exhibition will serve as the first installment of UCL’s Year of Public Sculpture\, which will explore what sculpture means\, as critical conceptual devices spanning multiple forms\, from traditional materials to sound\, performance and digital media. \nThe exhibition is book-ended by one of Allington’s earliest works as a student of ceramics and his final public work in the UK: a collaboration with artist and fellow Slade Professor\, Jo Volley. Their drawing has been scaled-up to be 7.5m high to wrap around a pop-up structure in the courtyard of UCL. The work features classical columns\, as well as drawing and building instruments\, which are overlaid on a chart depicting the growth of UCL in its first 100 years. Inscribed with the UCL motto Cuncti adsint meritaeque expectent praemia palmae (Let all come who by merit deserve the most reward) the piece reflects upon the university’s development. \nEdward Allington: In pursuit of sculpture is curated by Dr Andrea Fredericksen\, Curator\, UCL Art Museum and Dr Nina Pearlman\, Head of UCL Art Collections. \n*Quote: Edward Allington\, A method for sorting cows: [essays\, 1993-97] Manchester: Metropolitan University\, 1997\, p.12.
URL:https://www.knowledgequarter.london/event/edward-allington-in-pursuit-of-sculpture/
LOCATION:UCL Art Museum\, South Cloisters\, University College London\, Gower St\,\, London\, WC1E 6BT
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/02/allington-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190215
DTEND;VALUE=DATE:20190731
DTSTAMP:20260403T213303
CREATED:20190116T103322Z
LAST-MODIFIED:20190116T103459Z
UID:15369-1550188800-1564531199@www.knowledgequarter.london
SUMMARY:Mary's Hand- McCaldin Arts
DESCRIPTION:“A modest gem of a show…a rebuke to the UK’s major opera companies” The Independent \nMary’s Hand is an acclaimed one-woman show produced by McCaldin Arts and starring Clare McCaldin.  Knowledge Quarter Partners were lucky enough to preview Mary’s Hand at our 2018 The Future of Knowledge Conference and since then the show has gone from strength to strength\, amassing five star reviews from the likes of The Independent. Join McCaldin Arts as Mary’s Hand travels around London and beyond… \nAbout the Show: \n\nQueen Mary 1 – Bloody Mary to her enemies – loves to play at dice and cards. Over a game in which the audience chooses the next card to be turned\, \nMary reflects on her life: her royal family\, faith\, marriage\, her desperate desire for a child\, and her blackened reputation. \nVenues and Tickets: \n15 February 2019 (6pm) at The Society of Antiquaries of London\, in front of the Hans Eworth portrait of Mary on which the Mary’s Hand costume is based\, with an accompanying talk from historian Dr John Cooper. Tickets here. \n19 February 2019 (7.30pm)  at St Paul’s Church\, Wilton Place\, London SW1. Tickets here. \n22 February 2019 (7.30pm) Queen’s Hall\, Hexham. Tickets here. \n23 February 2019 (7.30pm) Lancaster Priory\, Lancaster. Tickets here. \n27 April 2019 (7.30pm) in the Music in Pinner Series. Tickets here. \n30 July 2019 (10pm) Three Choirs Festival\, with a lecture on 31 July by a leading academic examining Mary’s reign and legacy from a historical point of view. \nMary’s Hand at the Knowledge Quarter\, The Future of Knowledge Conference:
URL:https://www.knowledgequarter.london/event/marys-hand-mccaldin-arts/
LOCATION:Varies
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/01/Marys-Hand-Poster-Quotes-Sept-2018-V2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190227
DTEND;VALUE=DATE:20190518
DTSTAMP:20260403T213303
CREATED:20190218T181905Z
LAST-MODIFIED:20190314T160932Z
UID:15723-1551225600-1558137599@www.knowledgequarter.london
SUMMARY:Crimes Uncovered: The First Generation of Holocaust Researchers
DESCRIPTION:*Photograph of Dr. Alfred Wiener in his office in Manchester Square\, London\, c.1950\, Wiener Library Collections\nThe Wiener Library’s spring 2019 exhibition\, Crimes Uncovered: The First Generation of Holocaust Researchers\, traces the stories and legacies of the individuals and institutions who first collected evidence of the crimes of the Holocaust.\nThe exhibition commemorates the life and work of some of these pioneers of Holocaust research\, including\, among others\, Emmanuel Ringelblum and Rachel Auerbach\, whose Oyneg Shabbos organisation gathered and concealed evidence from inside the Warsaw Ghetto; Raphael Lemkin\, who used the information he amassed about the atrocities of the Holocaust to develop the legal concept of genocide; the novelist and writer Vasily Grossman\, who documented the extermination of Soviet Jews; Alfred Wiener\, founder of The Wiener Library\, who collected and disseminated evidence of Nazi activities from the mid-1920s onwards; Eva Reichmann\, who launched one of the earliest projects to collect eye-witness testimonies to the Holocaust. \nUnder the most adverse conditions and often against indifference\, denunciation and violence\, they shaped the foundations of our knowledge of the Holocaust today. \nThe exhibition runs from 27 February 2019 until 17 May 2019 and is free to the public.
URL:https://www.knowledgequarter.london/event/crimes-uncovered-the-first-generation-of-holocaust-researchers/
LOCATION:The Wiener Library for the Study of the Holocaust and Genocide\, 29 Russell Square\, London\, WC1B 5DP\, United Kingdom
CATEGORIES:Partner Events,Wiener Library
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/02/Dr-Alfred-Wiener-in-his-office-in-Manchester-Square-London-c.1950-Wiener-Library-Collections.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190301
DTEND;VALUE=DATE:20191201
DTSTAMP:20260403T213303
CREATED:20190617T133607Z
LAST-MODIFIED:20190617T192708Z
UID:17606-1551398400-1575158399@www.knowledgequarter.london
SUMMARY:Craft & Graft: Making Science Happen
DESCRIPTION:How do you feed a million fruit flies? How does an eyelash become a scientific tool?\nTake a look behind the scenes at Britain’s biggest lab to discover the astonishing methods driving the latest advances. Visit The Crick’s free exhibition for an eye-opening glimpse of the people behind the science. \n\nPlease note this event is currently running\, closing on the 30 November 2019. Find out more here. \nAbout The Francis Crick Institute\nThe Francis Crick Institue is a biomedical discovery institute researching the biology underlying human health. Their work is helping to understand why disease develops and to translate discoveries into new ways to prevent\, diagnose and treat illnesses such as cancer\, heart disease\, stroke\, infections and neurodegenerative diseases.
URL:https://www.knowledgequarter.london/event/craft-graft-making-science-happen/
LOCATION:The Francis Crick Institute\, 1 Midland Road\, London \, NW1 1AT\, United Kingdom
CATEGORIES:August,Feature Event,July,June,November,October,Partner Events,September
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/06/Craftgraft-e1560258947508.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190302T110000
DTEND;TZID=Europe/London:20190415T180000
DTSTAMP:20260403T213303
CREATED:20190320T104509Z
LAST-MODIFIED:20190320T154249Z
UID:16168-1551524400-1555351200@www.knowledgequarter.london
SUMMARY:Free Exhibition: Madam B at the Lethaby Gallery
DESCRIPTION:Visit Central Saint Martin’s Lethaby Gallery for an immersive video installation which deconstructs and recontextualises Gustave Flaubert’s novel Madame Bovary. \nUntil 15 April\, Madame B is an immersive video installation which examines the link between capitalism and romance in relation to Gustave Flaubert’s 1856 novel Madame Bovary. It is a collaboration between Dutch cultural theorist and video artist Mieke Bal and British video and performance artist Michelle Williams Gamaker. The project is hosted and curated by Michaela Giebelhausen and Alison Green\, Course Leaders of BA Culture\, Criticism and Curation and MA Culture\, Criticism and Curation. \nWorking anachronistically to highlight the novel’s shocking contemporaneity\, Madame B opens up historical and contemporary connections between economics and romantic love\, desire\, consumption and loneliness. Through an immersive video experience\, the exhibition explores how these factors have persisted over the 150 years since Flaubert’s novel was published. \nOpening times\nTuesday to Friday: 11am–6pm\nSaturday: 12–5pm \n\n\n 
URL:https://www.knowledgequarter.london/event/madame-b-at-central-saint-martins/
LOCATION:Lethaby Gallery\, Central Saint Martins\, UAL\, Granary Building\, 1 Granary Square\, London\, N1C 4AA\, United Kingdom
CATEGORIES:Central Saint Martins,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/03/Madame-B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190307
DTEND;VALUE=DATE:20190612
DTSTAMP:20260403T213303
CREATED:20190130T220857Z
LAST-MODIFIED:20190130T221011Z
UID:15529-1551916800-1560297599@www.knowledgequarter.london
SUMMARY:Warwick in London Faculty Talks Series
DESCRIPTION:We are delighted to invite Knowledge Quarter partners to attend the latest in the Warwick in London’s Faculty Talks Series\, hosted at Warwick’s London hub near King’s Cross. Hear brilliant lectures from the University of Warwick’s prominent Faculty. \nEach exciting lecture is followed by a Q&A and drinks reception with the opportunity for networking. \nScroll along to see the lectures available:\n \nPlaces are free but must be reserved here and are available on a first-come-first served basis. Please email warwickinlondon@warwick.ac.uk with any enquiries. \n  \nSimilar Events you may enjoy:
URL:https://www.knowledgequarter.london/event/warwick-faculty-talks-series/
LOCATION:Stanley Building\, 7\, Pancras Square\, London N1C 4AG\, Stanley Building\, 7\, Pancras Square\,\, London\, England\, N1C 4AG
CATEGORIES:Conferences,Lectures,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/01/warwick_logo-e1548864199597.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190313
DTEND;VALUE=DATE:20190324
DTSTAMP:20260403T213303
CREATED:20190313T095733Z
LAST-MODIFIED:20190313T095733Z
UID:16055-1552435200-1553385599@www.knowledgequarter.london
SUMMARY:The Philosophy Shop
DESCRIPTION:The Royal Academy of Dramatic Art invite you to their latest performance installation\, in collaboration with King’s College London. \nA performance installation inspired by a set of miniature plays written by artist and philosopher Ali Hossaini\, and directed by artist and composer Catherine Kontz. The piece has been curated by the King’s College Cultural Institute and Informatics Department and the video & digital design department of RADA’s Technical Theatre and Stage Management training. \n“The main design idea behind The Philosophy Shop is to take the audience through a journey from a well-known\, comfortable world of object to a more abstract world of pure thought. By working closely with the video and digital design department\, the set and costume are now an integral part of telling the story in a creative and immersive way. \nWe didn’t want to turn it into a cinema screening\, but propose something completely different from other RADA shows.” \n– Designer and second year RADA student Anna Cierpial \nSee the exact show times and book your ticket here.
URL:https://www.knowledgequarter.london/event/the-philosophy-shop/
LOCATION:RADA\, Malet Street\, London\, WC1E 7JN\, United Kingdom
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/03/The_Philosophy_shop_720x480.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190319
DTEND;VALUE=DATE:20190708
DTSTAMP:20260403T213303
CREATED:20190228T110459Z
LAST-MODIFIED:20190228T175516Z
UID:15691-1552953600-1562543999@www.knowledgequarter.london
SUMMARY:Jews\, Money\, Myth at the Jewish Museum
DESCRIPTION:Jews\, Money\, Myth\, a major new exhibition at Jewish Museum London\, explores the role of money in Jewish life and its often vexed place in relations between Jews and non-Jews\, from the time of Jesus to the 21st century.\nReflecting on over 2\,000 years of history\, Jews\, Money\, Myth tells the story of an abiding antisemitic trope through manuscripts\, prints\, art\, film\, literature and cultural ephemera\, from board games and cartoons to costumes and figurines. These exhibition items\, drawn together from the museum’s collection and complemented by loans from Europe\, North America and Israel\, describe the various strands which have gone into the creation of a pervasive stereotype: the theological roots of the association of Jews with money; the myths and reality of the medieval Jewish moneylender; and the place of Jews – real and imagined – in commerce\, capitalism and finance up to the present day. \nThe exhibition shows how Jewish wealth and poverty have been created by circumstances rather than ‘Jewishness’ itself. Pushed into unpopular economic roles such as usury\, some Jews lent money for interest in the Medieval period; Jewish merchants and bankers were drawn to London in the mid-late Seventeenth Century; and tens of thousands came as poor economic migrants in the Eighteenth Century. They improvised a livelihood\, begging and peddling cheap goods in town and country. These contrasting roles gave rise to stereotypes that took hold of the public imagination and have shown remarkable longevity: two are easily recognisable in well-known literary characters such as Shakespeare’s money lender Shylock\, and Dickens’ Fagin who traded in stolen goods. \nJews\, Money\, Myth explores how stereotypes linking Jews with money and power evolved in different political contexts and have been exploited for different ends. The caricature of the powerful\, rich Jew continues to inform conspiracy theories and to recur in political propaganda\, cartoons\, artworks and on social media. With populism on the rise\, the exhibition comes at a critical point in history. \nRembrandt’s Judas Returning the Thirty Pieces of Silver (1629)\, on loan from a private collection\, is one highlight of the exhibition. The biblical story of Judas Iscariot’s betrayal of Jesus for 30 pieces of silver has a significant place in the history of anti-Jewish stereotypes until the present day. Other rare and early artworks spanning almost 500 years reveal a variety of malign interpretations of the story and shed light on relations between Christians and Jews. \nSpecially commissioned work by contemporary artists are a further feature of a fascinating and provocative exhibition. \n \nThe exhibition will run from 19 March until 7 July 2019 \nOpening Times: Daily 10am – 5pm (Friday: 10am – 2pm) \nThe exhibition has been developed in collaboration with the Pears Institute for the study of Antisemitism at Birkbeck\, University of London and is generously supported by the Art Fund.  \nImage: Nutcracker in shape of Fagin\, Birmingham\, 20th century. \nThe low socio-economic position of most Jews in England and their low-status jobs led to Jews being associated with criminality. Dicken’s creation of the notorious pickpocket Fagin reflected and reinforced negative stereotypes of Jewish greed and dishonesty that existed in Georgian England.\n© Jewish Museum London \n\n  \n 
URL:https://www.knowledgequarter.london/event/jews-money-myth-at-the-jewish-museum/
LOCATION:Jewish Museum\, Raymond Burton House\, 129-131 Albert St\, London\, Camden\, NW1 7NB
CATEGORIES:Jewish Museum,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/02/Nutracker-in-shape-of-Fagin-detail-1-e1551376420281.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190321T170000
DTEND;TZID=Europe/London:20190321T200000
DTSTAMP:20260403T213303
CREATED:20190320T091057Z
LAST-MODIFIED:20190320T091057Z
UID:16162-1553187600-1553198400@www.knowledgequarter.london
SUMMARY:Extended hours at the Charles Dickens Museum
DESCRIPTION:Due to popular demand the Charles Dickens Museum extend their opening hours once a month\, meaning that last admission is at 7pm and doors close at 8pm. \nFurther to this\, on the 21st March all late opening ticket holders will receive a complimentary glass of prosecco with their ticket! So join us to help welcome in the new season. \nBook in advance here.
URL:https://www.knowledgequarter.london/event/extended-hours-at-the-charles-dickens-museum/
LOCATION:Charles Dickens Museum\, 48 Doughty Street\, London \, WC1N 2LX\, United Kingdom
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/03/dickensp1010015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190321T193000
DTEND;TZID=Europe/London:20190321T210000
DTSTAMP:20260403T213303
CREATED:20190314T162051Z
LAST-MODIFIED:20190314T162051Z
UID:16072-1553196600-1553202000@www.knowledgequarter.london
SUMMARY:Here We Go Again! An Evening with Anthony Van Laast
DESCRIPTION:Anthony Van Laast is coming to The Place to share his experience as one of the world’s leading choreographers in stage and film.\nPerhaps best known as the man behind Mamma Mia!\,Anthony Van Laast is a British choreographer for the stage\, television\, film and concerts. \nAmong his prominent stage works as a choreographer are the musicals Sister Act (2011 on Broadway\, 2009 West End)\, Mamma Mia! (2001)\, Joseph and the Amazing Technicolor Dreamcoat (1993)\, and most recently Tina – The Tina Turner Musical\, which opened in the West End in 2018. \nHis television and film work includes the 2017 Disney live-action film Beauty and the Beast\, Sarah Brightman: Symphony in Vienna (2008) and the hugely successful Mamma Mia! (2008) and recent sequel Mamma Mia! Here We Go Again! (2018). \nIn 1999 Anthony Van Laast was awarded the MBE by The Queen for Services to Dance and Choreography and was awarded the CBE for Services to Dance and Choreography in the 2019 New Year’s Honours List. \nThis lecture will also include a live collaboration with the London Contemporary Dance School MA Screen Dance Students. \n\n 
URL:https://www.knowledgequarter.london/event/here-we-go-again-an-evening-with-anthony-van-laast/
LOCATION:The Place\, 17 Duke's Rd\, Kings Cross\,\, London\, WC1H 9PY\, United Kingdom
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2019/03/Pineapple.jpg
END:VEVENT
END:VCALENDAR