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X-ORIGINAL-URL:https://www.knowledgequarter.london
X-WR-CALDESC:Events for Knowledge Quarter
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TZID:Europe/London
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DTSTART:20180325T010000
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DTSTART:20181028T010000
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DTSTART;VALUE=DATE:20180205
DTEND;VALUE=DATE:20181215
DTSTAMP:20260406T032920
CREATED:20180613T110254Z
LAST-MODIFIED:20180613T110254Z
UID:12324-1517788800-1544831999@www.knowledgequarter.london
SUMMARY:“Dangers and Delusions”? Perspectives on the women’s suffrage movement.
DESCRIPTION:Displaying items from UCL Special Collections\, this exhibition examines the actions and reactions attending the women’s suffrage movement from the 1860s up to the Representation of the People Act 1918. Satirical commentaries including Laurence Housman’s Anti-Suffrage Alphabet are set alongside campaign literature and petitions for and against legislative change. \nThe movement calling for women’s right to vote in the United Kingdom was drawn out over several decades and generated intense differences of opinion\, not only between those for and against electoral equality\, but also within pro- and anti-suffrage campaigns. This exhibition draws on items held in UCL Special Collections – satirical commentaries\, campaign literature\, personal notes and petitions – to examine the actions and reactions surrounding the case for universal suffrage\, from the 1860s up to the fi rst legislative step towards equality for women: the Representation of the People Act\, 1918.
URL:https://www.knowledgequarter.london/event/dangers-and-delusions-perspectives-on-the-womens-suffrage-movement/
LOCATION:UCL main library\, 23-25 Gower St\, Kings Cross\, London\, WC1E 6BT
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2018/06/ucl-women-2.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180524
DTEND;VALUE=DATE:20181112
DTSTAMP:20260406T032920
CREATED:20180523T132403Z
LAST-MODIFIED:20180523T132403Z
UID:11483-1527120000-1541980799@www.knowledgequarter.london
SUMMARY:Charles Dickens: Man of Science
DESCRIPTION:In 1839\, the writer and physiologist George Henry Lewes visited Charles Dickens at Doughty Street and examined his bookshelves. He left accusing Dickens of being ‘completely outside philosophy\, science\, and the higher literature’. For over 150 years\, it was thought that Charles Dickens was either not interested in science\, or was downright hostile to it. But Dickens’s science was not the science of books or learned institutions; for Dickens\, science mattered when it transformed lives by curing disease or cleaning streets\, or opening up new vistas of wonder in a humdrum world. \nCharles Dickens: Man of Science aims to reveal Dickens not only as a scientific enthusiast\, but as the key communicator of science in the Victorian age. Displaying his writings alongside artefacts\, instruments\, and texts of the developing sciences\, we share the story of Dickens’s friendships and scientific passions. Journeying through some of Dickens’s favourite sciences – geology\, thermodynamics\, chemistry\, and medicine – we reveal that what made him a great writer was precisely what made him a man of science. \nFind out more here
URL:https://www.knowledgequarter.london/event/charles-dickens-man-of-science/
LOCATION:Charles Dickens Museum\, 48 Doughty Street\, London \, WC1N 2LX\, United Kingdom
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2018/05/DICKENS_1000x400_RGB.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180903
DTSTAMP:20260406T032920
CREATED:20180523T100858Z
LAST-MODIFIED:20180523T100951Z
UID:11459-1527206400-1535932799@www.knowledgequarter.london
SUMMARY:Sea - Jodie Carey at the Foundling Museum
DESCRIPTION:Commissioned by the Foundling Museum\, Jodie Carey has created three new site-responsive installations in response to the Foundling Hospital story. Displayed within the exhibition gallery and amongst the historic Collection\, these monumental pieces are imbued with a sense of remembrance and emotional trace. \nDrawing inspiration from the eighteenth-century fabric tokens left by mothers with their babies as a means of identification – one of the few tangible connections between mother and child – Sea is formed of hundreds of swatches of fabric that have been dipped in liquid clay and fired. These delicate ceramic fragments cover the exhibition gallery floor. Upstairs\, two monumental works cast in the earth explore ideas of memory and time. Eighteen life-size plaster sculptures crowd the Anteroom\, while in the Foyer a delicate and slender bronze sculpture stands floor to ceiling. \nCarey’s abstract and organic works seek to make visible the fragility of life and human relationships\, to acknowledge the absent presence of the thousands of children who passed through the Foundling Hospital\, and to reflect on the elemental drives at the heart of its story; love\, loss\, and survival. \nJoin the conversation #JodieCarey.
URL:https://www.knowledgequarter.london/event/sea-jodie-carey-at-the-foundling-museum/
LOCATION:The Foundling Museum\, 40 Brunswick Square\, London\, WC1N 1AZ\, United Kingdom
CATEGORIES:Feature Event,Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2018/05/Jodie-Carey-Earthcasts-2017-©-Jodie-Carey-courtesy-Edel-Assanti-1024x1024-848x400.jpg
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