BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Knowledge Quarter - ECPv6.6.4.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Knowledge Quarter
X-ORIGINAL-URL:https://www.knowledgequarter.london
X-WR-CALDESC:Events for Knowledge Quarter
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20171029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20181028T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170929
DTEND;VALUE=DATE:20180108
DTSTAMP:20260403T213549
CREATED:20170919T134332Z
LAST-MODIFIED:20170920T085841Z
UID:8008-1506643200-1515369599@www.knowledgequarter.london
SUMMARY:Basic Instincts (Exhibition runs from 29 Sep 2017 — 07 Jan 2018)
DESCRIPTION:Curated by Dr Jacqueline Riding\, Basic Instincts explores Georgian attitudes to love\, desire and female respectability through the radical paintings of Joseph Highmore.  \nA highly successful artist and Governor of London’s Foundling Hospital\, Joseph Highmore (1692-1780) is best known as a portrait painter of the Georgian middle class. However\, during the 1740s his art radically shifted\, reflecting his engagement with the work of the new Foundling Hospital and its mission to support desperate and abused women. Highmore’s involvement with the Hospital sparked engagement with issues around women’s vulnerability to sexual assault and society’s unwillingness to support them\, culminating in a work of exceptional power\, The Angel of Mercy (c.1746). \nBasic Instincts is the first major Highmore exhibition for 50 years and explores this decade of disruptive social commentary in his art. Amongst the works on display are four paintings from a series of twelve\, inspired by Samuel Richardson’s international bestseller\, Pamela\, or Virtue Rewarded\, explicitly making reference to the abuse and sexual violence at the core of the novel. On public display in the UK for the first time as part of Basic Instincts is a remarkable painting that still retains the power to shock. The Angel of Mercy depicts a desperate mother in the act of killing her baby\, with the distant Foundling Hospital presented as the alternative. Set among Highmore’s tender portraits of mothers and children\, family and friends\, this show uniquely demonstrates the artist’s depth and variety. \nFree entry with musuem admission\, click here for more information.
URL:https://www.knowledgequarter.london/event/basic-instincts-exhibition-runs-from-29-sep-2017-07-jan-2018/
LOCATION:The Founding Museum\, 40 Brunswick Square\, London\, WC1N 1AZ\, United Kingdom
CATEGORIES:Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2017/09/basic-instincts.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170929
DTEND;VALUE=DATE:20180108
DTSTAMP:20260403T213549
CREATED:20170919T160722Z
LAST-MODIFIED:20171018T094015Z
UID:8021-1506643200-1515369599@www.knowledgequarter.london
SUMMARY:Raft of the Medusa (Exhibition runs until 29 Sep 2017 - 07 Jan 2018)
DESCRIPTION:The Foundling Museum displays a series of five previously unseen sculptures by acclaimed artist Rachel Kneebone\, providing a resonant counterpoint to their exhibition Basic Instincts. \nRachel Kneebone is a British artist whose intricate works address and question the human condition. Raft of the Medusa’s tumbling limbs and fractured swags are at once coquettish and sinister; their gleaming white surfaces and exquisite detail belie scenes of collapse and dismemberment. \nUsing porcelain\, a delicate material traditionally associated with Rococo exuberance and fine tableware\, Kneebone subverts viewers’ expectations. Visibly exploiting the material properties of porcelain\, she deliberately allows her work to distort and crack in the kiln\, inviting the viewer to question the relationship between strength and vulnerability. \nThis display in the Museum’s historic rooms distils and abstracts the Foundling Hospital’s suppressed narratives of sexual desire\, emotional damage\, and female strength\, whilst also referencing ideas of displacement\, refuge\, and resilience. To discover more about Kneebone’s work\, hear the artist and Museum Director Caro Howell in conversation on Friday 6 October. \nFree entry with musuem admission\, click here for more information.
URL:https://www.knowledgequarter.london/event/raft-of-the-medusa-exhibition-runs-until-29-sep-2017-07-jan-2018/
LOCATION:The Foundling Museum\, 40 Brunswick Square\, London\, WC1N 1AZ\, United Kingdom
CATEGORIES:Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2017/09/Rachel-Kneebone-Raft-of-the-Medusa-I-2015.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171019
DTEND;VALUE=DATE:20180210
DTSTAMP:20260403T213549
CREATED:20170919T115158Z
LAST-MODIFIED:20170919T154854Z
UID:7992-1508371200-1518220799@www.knowledgequarter.london
SUMMARY:On British Soil: Victims of Nazi Persecution in the Channel Islands (Exhibition runs from 19 October 2017 – 9 February 2018)
DESCRIPTION:“Everything that people thought they knew about the German occupation of the Channel Islands is – at best – partial and – at worst – inaccurate\,” explains co-curator Dr. Gilly Carr on the motivation for a new exhibition at The Wiener Library. \nDuring the German occupation of the Channel Islands 1940-1945\, many thousands of people were persecuted\, including slave labourers\, political prisoners and Jews. Their story has been largely omitted from a British narrative of ‘standing alone’ against Nazism and celebrations of British victory over Germany. \nOn British Soil – Victims of Nazi Persecution in the Channel Islands tells the stories of these persecuted\, drawing upon The Wiener Library’s rich archival collections\, files recently released by The National Archives\, and never seen before items from the personal collections of victims of Nazi persecution. \nFrom the experiences of a young Jewish woman living quietly on a farm in Jersey and later deported to Auschwitz\, to those of a Spanish forced labourer in Alderney\, and the story of a man from Guernsey whose death in a Nazi prison remained unknown to his family for over 70 years\, this exhibition highlights the lives of the persecuted and the post-war struggle to obtain recognition for their suffering. \nPlease visit The Wiener Library website for more information\, you can read the full press release here. \nOpening hours: Monday-Friday 10am-5pm\, Tuesdays: 10 am – 7:30pm\nFree entry \nProduced in collaboration with Dr. Gilly Carr of Cambridge University\, and with the generous support of the Heritage Lottery Fund. \nImage credit: \n1) Hedwig Bercu © Jersey Archives\n2) © John Dalmau\, Slave Worker in the Channel Islands (1956)\, Wiener Library Collections
URL:https://www.knowledgequarter.london/event/on-british-soil-victims-of-nazi-persecution-in-the-channel-islands-exhibition-runs-from-19-october-2017-9-february-2018/
LOCATION:The Wiener Library for the Study of the Holocaust and Genocide\, 29 Russell Square\, London\, WC1B 5DP\, United Kingdom
CATEGORIES:Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2017/09/the-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171222
DTEND;VALUE=DATE:20171223
DTSTAMP:20260403T213549
CREATED:20171115T220928Z
LAST-MODIFIED:20180108T133053Z
UID:9551-1513900800-1513987199@www.knowledgequarter.london
SUMMARY:Echoes from the Birdcage
DESCRIPTION:Echoes from the Birdcage is the world premiere of a new composition to emerge from Dame Evelyn Glennie’s time as the PRS Foundation and King’s Cross Musician in Residence\, written by Jill Jarman in collaboration with Dame Evelyn Glennie. \nEchoes from the Birdcage will be performed for the first time on Friday 22nd December 2017 at the Platform Theatre in Kings Cross\, with a 2:30pm matinee performance and a 7:30pm evening performance. Tickets are available to purchase online now from: http://bit.ly/EchoesFromTheBirdcage and are priced £10 (for concessions) and £18 (for adults). \nInformed and inspired by the sounds collected and shared by the King’s Cross community\, Echoes from the Birdcage tells a story of the place in six movements\, displaying all the different aspects of the area and how much it has changed through history. In Motion; Global Chant; and The Spaces in-between are just a few of the named movements. \nAn amazing sound world is created by percussionist Evelyn Glennie with an ensemble of musicians\, to bring to life the sounds and emotions of the transformation of King’s Cross. \nEvelyn Glennie said\, “These last few months have been a learning curve; connecting to the King’s Cross community has taught me so much about this place right at the heart of London\, so much so that I can say my relationship and appreciation of the area has expanded through this residency. I’m proud of the piece of music Jill [Jarman] has written – Echoes from the Birdcage – and believe it will have a lasting legacy not only in the King’s Cross area\, but hopefully as an inspirational piece that gets people thinking about the sound environment of their particular space.” \nMaxine Shannon\, Project Manager (Events & Enlivenment)\, Kings Cross said\, “We have been thrilled to work with Dame Evelyn as the King’s Cross Musician in Residence throughout 2017 and we are looking forward to seeing the culmination of her work during the final performance in December. It has been great to see the local community playing such an active role in the evolving arts and enlivenment programme at King’s Cross\, London’s new creative quarter.”   \nVanessa Reed\, Chief Executive\, PRS Foundation said\, “It has been fantastic to see Dame Evelyn Glennie and her team reach out to the schools\, workers and residents of Kings Cross this year and really get them thinking about\, and involved in\, the creation of new music and how their local environment can provide inspiration. These collaborations have shaped Evelyn’s new piece\, and we’re all very much looking forward to hearing it on 22nd December. ”
URL:https://www.knowledgequarter.london/event/echoes-from-the-birdcage/
CATEGORIES:Partner Events
ATTACH;FMTTYPE=image/jpeg:https://www.knowledgequarter.london/wp-content/uploads/2017/11/89.jpg
END:VEVENT
END:VCALENDAR